In what way does your media product use, develop or challenge, forms and conventions of real media products?
Our media product doesn’t challenge forms and conventions of real media products, but it does however use and develop them. “The xx” song that we interpreted, “Heart Skipped a Beat”, has a conventional Indie genre love theme. During planning we looked at “The xx” song lyrics, and we felt it was best to create our music video narrative to fit this love narrative, conforming in a typical theme of real media products. We studied Andrew Goodwin's theory, which states that the visuals in a music video is meant to illustrate, amplify or contradict the lyrics and the music in a video. In our music video we have illustrated the lyrics in our video.
During planning we looked at forms and conventions of real media products and based our planning on viewing music videos by artists such as “Florence + the Machine”, “Mumford and the Sons”, “The xx” music videos, and many other media videos. A typical convention of music video is that the lyric along with the video evokes certain emotions and moods. Our media product does develop this effect as it evokes both positive feelings, also with a sense of mystery behind the relationship of the two singers. Our narrative and the order in which events run in our video evoke these emotions. The sense of mystery is created with the images and the lyrics, opening with the couple in our video separated, then together, then separated. We continue this throughout the video, to evoke questions in the audiences mind, as to “are they together?” or “are they apart?” this keeps the audiences hooked in our video, due to the ambiguity, as audience will hope there will be a resolution at the end of the video like real media product. We however don’t have a resolution at the end of our video. This therefore challenges real media products, leaving the audience's almost on a cliff-hanger on the persona that our band and actors have created.
Another form and convention of real media products, is the music tempo often drives and influences the editing. This is one of the first piece of researching we did as a group, with researching “Florence + the Machine” music video. “Florence + The Machine” video “Dog Days are Over” editing mimics the pace of their video, with starting slow, with long cuts, fitting with the pace of the tempo, then slowly getting faster, and having quick and choppy transitions towards the end of the video as the music tempo changes. This convention we used in our music video, with starting off slow, and even slowing down our footage, fitting with the slow pace of the song, with having long and slow scenes and cuts. With the tempo gradually getting faster in our music video towards the end, we then enhance the amount of cut and transitions in the video, making the editing snappy and fast. Our video includes many closes up shots, which is part of Andrew Goodwin's theory, to show detail, and several of which voyeuristically show sections of our characters bodies.
“The xx” are classified as an Indie genre band, with also being assigned to a small Indie label called The Young Turks. We wanted to use the Indie form and convention in the mise-en-scene, performance, camera and editing styles. For an Indie style mise-en-scene, we decided to make the costumes of the characters typically Indie and also the location of the video. The characters are in typical vintage, Indie clothing, with vintage Nikes, tops and skinny jeans. We have continued the Indie mise-en-scene with the locations featured in our video. With having the video filmed mostly outside in local Cambridge fields, and courtyards, our locations are rural. The location setting of being outside was commonly in the Indie genre music videos we researched, such as “Mumford and the Sons” video's and also videos by “The xx”. Our outdoors locations contrast with different media products genres, for example Usher, many of his music videos are filmed in a club, which is conventional for a pop video. Filming outside fits challenges urban music, and with filming outside this setting suits the gentle tones of the music, making our video feel more natural.
Intertextuality is a typical form and convention of a music video, which our media product challenges. Most music videos have intertextuality with audiences may not spot, for example Madonna’s “Material Girl” has intertextuality to the song sequence “Diamonds Are a Girl’s Best Friend” in Howard Hawk’s “Gentlemen Prefer Blondes”. Intertextuality references may bring pleasure to audiences who make the connection between the references, thus increasing the audience’s enjoyment with the song. Our music video challenges this convention, as it doesn’t have intertextuality to a particular film. However, our music video has a typical love narrative, with telling a story of a couple’s relationship. This typical narrative is included in many Rom-Coms and romance films, such as “500 Days of Summer”. In “500 Days of Summer” the intertextuality of our video to this film could be in the similar in the narrative style, with also similar colour tones. This film also includes Indie music, such as “The Smiths”, “The Temper Trap” and “Feist” Although audience won’t be able to pin point our intertextuality, audiences will still find our music video’s love narrative engaging, challenging this typical form and convention.
The convention exhibitionism is developed in our media product. With more powerful and independent female artists in recent years (such as Beyonce and Rihanna), this has added to the complexity of the politics of looking and gender, with female artists being sexually provocative as in this modern time sex sells. Both Beyonce and Rihanna have sexually provocative video, contrasting to our video where we don’t conform to this convention, as it doesn’t fit into the Indie genre. Different from Beyonce and Rihanna who are R & B, and Pop artists, these genres typically use their sexual provocative to sell, being in music videos, or ancillary texts. Having both our characters not being sexualised, although this isn’t uncommon in Pop music videos, but this is not common to use sex in Indie genre music videos. In Goodwin’s theory he stated that the female performer is frequently made out to be a sexual object through the combination of camerawork and editing with regular close up shots of body shots emphasising the artist as sexually provocative. Goodwin argued that making the females sexually appealing this ads’ voyeurism and satisfaction for audience's to watch the video. Although we don’t have our character sexually exploited, we do however don’t show our female singer as independent. Our female character (Sophie) isn’t a strong, independent woman, with having to be with our male character (Jack). Sophie is tied down to a man, with struggling with her relationship with Jack’s character in our narrative, going through a break up and then getting back together. Exhibitionism is developed in our music video, as Sophie is not sexually exploited; however she isn’t independent as she is with our male character Jack.
How effective is the combination of your main product and ancillary texts?
Our main product and our ancillary text have combined effectively, with keeping the music video; digipak and the magazine advert all indistinguishable and appropriate. We have keeps the theme, colours, images, and fonts consistent so audiences connect the band with the ancillary texts.
One of the main themes we decided to keep consistent in the music video and the ancillary text was the theme of the four elements. In our music video we included the four elements of earth (the first part of our music video), water (filming by the river, in the second part of our video), air (filming low angles of the sky, in the third part of our video) and finally the fire element. With planning and filming the video around the idea of the elements for our main product, we thought a good way to link the audience's to the ancillary text was to carry this theme on. We included the elements in the digipak with having the images based around Earth, Air, Water and Fire.
First, we had to choose a four-panel template of our digipak to include all four elements. The font cover has the air element, with air represented in the swirl pattern in the centre of the digipak. This combination of our main product and our ancillary text is in image of Sophie and Jack on the cover. We have taken these images from our main video, with taking stills from our video through Final Cut. We edited the image using Photoshop, and also created the pattern of air with using Photoshop tools. We decided to challenge typical Indie genre album covers, as commonly album cover by Indie bands don’t commonly include an image of the band, this is also see in “The xx” album cover. However, we thought it was best not to conform in this typical convention, as this was the best way to connect our audiences and fans to recognise the band from the video and transferred this onto the album. With having the connection transferred to the album this will increase album sales, as the band is more recognisable.
The element's are continued into the digipak, with the earth element being in the inside left panel. Making the panel the earth element with having simply used autumnal leaves. This is also intertextual of the video as the first part of our music video is filmed in a wood. We have also included the songs lyrics “Sometimes I still need you” which the album is advertising. Having the lyrics written in white in this panel, makes the lyrics and song hook stand out. This lyric is also in second person, which is effective as we are trying to engage and evoke audience's emotions with “you”. This gets the audience to image that it is “you”, thus evoking self-importance. On the inside right panel, where the CD is kept, we have made this panel the water element. We have made an image of ripples in water to represent where the CD will be placed. There is intertextuality of the rippling water, as it is also shown during the start of our music video.
On our back cover we decided to convey the fire element, represented with having smoke instead of fire. Fire is also the last element in our music video, connecting both our music video and our digipak as fire represents the end. Additionally, fire is dominant and powerful element, therefore signifying a powerful ending to our music video and digipak. On the back panel we have place “The Young Turks” record label logo, DVD logo, barcode, and a certificate rating for the music video. “The Young Turks” is the record label, which “The xx” belong to. With having this institution, audience's who are familiar with this record label and haven’t heard of “The xx” may be more inclined to buy the record. “The Young Turks” record label may appeal to fans that don’t support mainstream labels, and may want to buy “The xx” album. The DVD logo is included so audiences know they can watch our music video, again connecting our media product with the digipak. The barcode is included to show that our CD is meant for retail stores such as HMV, which is advertised on our magazine advert. We acknowledged that not many CD's are bought in retail stores and now digitally downloaded. To increase store revenues, we included an exclusive completion, for store buyers only, of the chance of getting band concert tickets to create an incentive to buy the CD in stores.
With advertising a competition to win tickets to the bands concert, this links the magazine advert with the digipak. On our magazine advert, we decided it was best to place tour dates on your advert. This is because generally when bands release a new album, they have a tour to coincide with the album release. With having a tour this will increase sales of our album, and create good publicity for the band. We saw this when we were researching magazine adverts, and saw many albums advertising was accompanied by a tour. Our release date of our album is the date of the first live concert. The competition to win tickets to see the band live will be advertised on “The xx” Facebook or fan sites, getting fans to buy the CD in retail stores.
Another combination of our ancillary text is the fonts and logos in both products. We decided to keep the fonts and colours consistent in the magazine advert with the digipak. We have kept “The xx” lettering bold and white contrasting against the black backgrounds. This is similar to “The xx” logo, with having the X bold and white, again against a black background. We have kept the same font of “Heart Skipped a Beat” on our digipak and magazine advert. However, we decided to alter “The xx” logo on the magazine ad, with having “The” in the middle of the “xx”. We made this difference, so audience’s can distinguishes between the two ancillary texts and what there advertising, the tour and the album release. We have kept “The Young Turks” logo on both ancillary texts, however, we have place a different logo on the magazine advert, this being the HMV institution logo. We thought that having this institutions logo was best on our album, as we have a promotional opportunity for those who buy the hard copy of the CD in a retail store, and HMV has many stores around the UK and world. On our magazine ad, we have a quote from NME Magazine; this is the audience our band is targeting, as NME is an alternative and Indie magazine and a magazine in which we would place our advert. There is also “Mercury Prize Winners” advertised on our magazine ad, again to hook in our Indie target audience, and audiences who watch the Mercury Prize, or read NME.
What have you learnt from your audience feedback?
Our group found that audience feedback meant we could learn to improve our video, to a professional quality. The feedback we received meant that we could fix any issues, especially in the early stages of the filming and editing process.
During the stages of making our music video we had to make a rough cut of our video. During this rough cut process we felt really rushed to quickly make a draft of our music video, as we hadn’t finished filming the majority of our video. On the due date of our rough cut we placed in what we had filmed onto the editing software Final Cut. We then dedicated a lesson to looking at our peer’s rough-cut work, and we found that many other groups had also more filming to do. However, the peer feedback from our class did help on ideas of our video and to improve our filmed work.
We received positive and constructive criticism from our peer members, which helped to enhance the professionalism of our video. The main positive feedback was the lip-syncing being strong and professional, especially in the opening scene of Jack. We had asked Jack and Sophie to learn the lyrics, so that the lip-syncing was correct and professional. When we where filming, we played the music out of our mobile phones so that the timing was correct and therefore easier to edit. Other positive feedback was the performance between the singers and actors was strong, therefore making a clear and powerful narrative. Comments where that the chemistry between Jack and Sophie was believable, and it looked like they had a history together, therefore working well together. The relationship narrative was also made clear due to the lyrics, for example when “sometimes I still need you” is sung; we would show a clip of either Sophie or Jack apart.
Our constructive criticism was really helpful, as it was good to get advice from fresh eyes on what to improve, and if our video kept audiences wanting to watch more due to our video being visually stimulating. Some of the criticisms was to include more scenes of the couple together before they where separated, it was suggested to include them cooking a meal, or watching a film together. We took this criticism onboard and then filmed more couple scenes such as cycling, walking and holding hands together. Another criticisms was that some of the filming was too unsteady, this was especially at the birds eye view shot in the woods of Jack and Sophie, which was done by hand holding the camera. We took these criticisms on board and also something in which we agreed with, we then decide to re-film these scenes. We went to the same wood in Cambridge where we originally film, and still had difficulty to keeping the camera steady. We didn’t want to spin the shot in Final Cut, we wanted to rotate the camera ourselves so it looked effective. In order to make the hand help bird's eye view more stable we tried different techniques. First, we attached the camera to some rope and tried rotating the camera this way. This however meant that the camera wasn’t concentrated on Jack and Sophie singing. Then we tried just filming one person singing, instead both Jack and Sophie singing as we did as shown in our rough cut. This was easier to film as it meant during filming we didn’t have to rotate over both Jack and Sophie, and just concentrate on keeping the camera steady. We where also told that in order to make the video more visually stimulating, we should add better fades and transitions. We took this criticism aboard, as we where rushed in meeting the rough-cut deadline we didn’t get the chance to add fades and transitions. We then added these filters, fades and transitions into our final product, such as contrasts, sepia with a pink tone added and more, in our video once we had finished filming.
The final draft feedback was also very positive, from our class and also teachers, with some feedback comments written on our blog comment box. The feedback we received was that our video looked professional, in terms of filters and editing. It was noted that we took the rough cut criticism onboard and then made the correct changes to our music video. A new point made to our final product was the locations where visually interesting and fitted with the Indie genre. The rural locations meant that we could create different atmospheres and the locations fitting with the music. We changed the locations to keep in pace with the music, with changing the locations a each verse, keeping audiences interested and not just looking at the same location. Our locations where filmed at certain times of the day depending on the lighting, as our aim to to create an atmosphere to enhance the mood which will be accompanied by filter, such as in the court yard scene. If we where filming in the dark, we simply lit the scene with torches, which created a nice glow over the scene.
During the editing process of our final product, we received feedback from media teachers at Long Road. One of the teachers had previously worked in the music video industry, and therefore knew the forms and conventions of music videos. He suggested that a way in improving our video would to foreshadow events at the beginning of the video, to the end of the video. We didn’t think this would really work, however, we added flashed of the end scene bon fire at the being of the video in order to keep audiences watching the video. Personally, I still don’t think this fits in our video, but we decided to keep this foreshadowing.
We received more feedback from another Long Road media teacher, however we decided to reject this feedback as we thought it didn’t feel right in our video. This feedback was to do with the lip-syncing towards the end of the video, which isn’t as strong as the opening lip-syncing scene. It was suggested to place an image on top of this scene in order to distract the audience from looking at the lip-syncing. However, we received this feedback the day of the deadline, and couldn’t find an appropriate image that fitted well in this scene, therefore causing us to reject this feedback.
We produced our ancillary texts of a short period of time; the peer feedback that we received on the digipak was that is was eye catching due to the contrasting colour scheme. Our class felt that the digipak fitted into the Indie genre feel, as many albums by Indie bands are abstract and not over the top, similar to “The xx” album cover. Our peer group like how the idea of the four elements was continued onto the digipak, connecting the two products together.
The peer feedback on the magazine advert was that it was effective to place the tour dates on the magazine ad, as the band are promoting a concert to coincide with the release of the album. Audiences thought that there is a clear link between the ancillary text and also the video, through the colouring, themes and text. However, the feedback on the ancillary texts wasn’t very helpful and not learning from the feedback, as there wasn’t feedback given throughout the process of making the ancillary texts. This feedback would have been helpful during the process in order to know what would look eye catching and effective on both our digipak and our magazine advert.
How did you use new media technologies in the construction and research, planning and evaluation stages?
During the researching and planning stages of our music video, we used the new media technology of video sharing website YouTube. YouTube allowed us to look at countless video, from music videos, to tutorials on how to uses technology such as Photoshop. We used YouTube to look at real media products for inspiration, looking at artists such as “Mumford and the Sons”, “Ellie Golding” and other videos for analysis. With YouTube being worldwide and having billions of videos, we also watched past student’s music video covers around the world. We could also looked at tutorials of how to create certain effects and tips in using Photoshop and Final Cut. We also placed our rough-cut and final music video on YouTube, and YouTube also allows the public to view and comment on our video. We also used BBC iPlayer to look at effects for editing for our flash back scene, which we took screen grabs of and placed this onto our blog.
We used a website called Blogger to construct our research, planning and evaluation stages. Blogger allowed us to place any information or research we did for our music video, and shows the stages of the production of our music video. We could embed videos on our blog from which we mainly collected from YouTube, we could also post any analysis we did, and also photos. Working on Blogger also meant that we could look at previous Long Road students blogs, and make our blog a high standard, as well as visually interesting with the uses of images, videos and colours, with also our group also received blog of the week.
We used the search engine Google which helped us with researching theories such as Goodwin's Theory, and Auteur Theory and also the 180 Degree Rule, Codes and Conventions of music videos. Google let us look at website which could help us, such as Flickr for images to help our blog look visually interesting, and Flicker was also a place where we could upload our own images. We used Google to find the correct fonts for our ancillary texts, tutorials for Photoshop, and Final Cut. We also used Google to buy items such as Chinese Lanterns for our video.
During the planning for our video, we first drew up storyboards. Storyboards allowed us to roughly plan our video, and the narrative structure. We did stick to the main ideas of our storyboard, but this was really just a rough structure, as we added or changed thing when filming. Our storyboard was drawn by hand, but with the use of a webcam technology, this meant we could take a photo of the storyboard, flip it, upload it onto flicker, embed the photo code to our blog, and place the image onto our blog for others to view. If we ever hand drew or wrote some work, we would take a still of our work on the webcam and place it on the blog. All these technologies helped us with the planning stages of our media product.
During filming we used the new technology of a Sony HD digital camera. With having the camera in high definition, this meant our video was filmed in a high quality and made our video looked sharp, and professional. With the camera being new, it meant we could easily transfer our video onto the computer for editing in Final Cut, instead of previously the digital camera being tape recoded, and not digital. Throughout the filming process, we would document this with our mobile phone, and taking photos with the camera. We would then turn the Bluetooth on, in the computer, and send the photos directly to the computer, and then upload then onto the blog. Our mobile phones also helped us during filming, as we place the song onto our mobile phones, and the speakers on the phone meant that we could hear the song out aloud. This meant that we could get the timing of the lip-syncing correct and also the lyrics. Also, if we had forgotten the lyrics, we could Google them through our phones whilst on location.
For the editing process, we used the new editing technologies, Final Cut and Photoshop. The Final Cut technologies let us compose our music video, easily add filters, transitions, add “Heart Skipped a Beat” audio, and produce our video. Photoshop allowed us to create our ancillary texts. We took stills from exporting a still out of Final Cut and import the images into Photoshop. We where able to edit images, for example image retouching, adding texts, and making our digipak and ancillary texts to a high standard. We could import different brushes or font texts into Photoshop, which we collected off Google. Overall, the skills that I have learnt in A2 media is how to use technology better, such as Photoshop and Final Cut, and how to improve media products to make them look visually stimulating.
By Melanie Moran